Art

This Side of The Pond

This Side Of The Pond

People watching at the Queens Museum. Summer 2016.  View in greater detail here.

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The cast of Julieta.

Film Review: Almodóvar’s “Julieta”

Julieta is Pedro Almodóvar’s twentieth film and joins the pantheon of his best works. It was inspired by three short stories from the book by Alice Munro, Runaway, as well as the female-centric films of the 1940’s with hints of Hitchcock as well as Almodóvar’s own earlier works, most notably, his masterpiece, All About My Mother. One might even consider Julieta to be the 21st century All About My Mother.

The film traces three decades of the title character’s life. It starts with a middle-aged Julieta living in Madrid, with her boyfriend Lorenzo, and they are planning to move to Portugal. One day she runs into Bea, former best friend of her daughter Antia, who reveals that Antia, whom Julieta has not seen or spoken with in twelve years, is living in Switzerland and is married with three children. Julieta abruptly cancels the move, breaks up with Lorenzo, and moves to her former building, hoping that Antia someday communicates with her. Julieta, alone with her thoughts, starts to write her memories and her story is told in a series of flashbacks.

One of the most interesting things about Julieta is the double casting: Julieta in her twenties and early thirties is played by Adriana Ugarte, while in middle age is played by Emma Suárez. We witness what heartache and time can do to a person through Emma Suárez. Both actresses did amazing work, but I don’t think they were able to fully realize a powerhouse performance—they shared one. Had either actress solely portrayed the title character, the performance would have likely emerged as comparable to Cecilia Roth’s in All About My Mother. Speaking of performances, I want to note Rossy de Palma’s performance in this film: she amazingly “frumped” it up!

Clothes, wallpaper and furniture continue to play an integral part in Almodóvar’s films. Starting with Live Flesh, architecture has also played a major part in Almodóvar’s storytelling and is most evident in Julieta. The contrasts between urban and rural, wealthy and lower middle class are greatly explored though architecture.

Most notably, the film explored several thought-provoking questions:

  • Are we doomed to make the same mistakes our parents made?
  • Can we break the cycle of mistakes?
  • When is it okay to move on from a relationship that has ended because of a death or illness?
  • Does the physical proximity of family contribute to your mental health in a positive or negative way?

The final moments of Julieta actually address many of these questions in terms of the title character, but you may find yourself asking these of your own life. I think this is what makes the film great: it forces introspection and that is what stays with you.

 

Family Fun Photography Time In Flushing Meadow

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People watching in New York City is always interesting and often fun. It is especially great when I have my camera with me. I loved watching this charismatic family having fun with their own camera in Flushing Meadow Park.

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This is my favorite photograph from an earlier blog entry on my time spent photographing Coney Island.  I love this photo because it happened purely by chance: I framed it in such a way that only the last three letters of the word Cyclone appear with only one passenger on the ride. I was amazed when I got home and downloaded it. What are the chances? I thought it deserved to be highlighted.

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