Horses and The Narrative in Ancient Greek Art

Camille Paglia, in her book, Sexual Personae, presents an interesting theory on the relationship between cats and ancient Egyptians. Cats, which have a sense of narcissistic personality and ceremony, were the model for Egyptian culture. According to Paglia, Egyptians invented concepts of beauty and femininity from their observations of cats 1. I found this theory thought provoking and would, for years after first reading Sexual Personae, look for other examples of how animals can impact a culture. A favorite example are the Aztecs, who according to legend, founded the city of Tenochtitlan when their god Huitzilopochtli had commanded them to find an eagle perched atop a cactus, devouring a snake.

Bronze man and centaur, mid-8th century B.C.E.

Bronze man and centaur, mid-8th century B.C.E.

Paglia makes an interesting contrast between Egypt and Greece: In Egypt, the cat; in Greece, the horse. Another way to view it is, in Egypt, the Sphinx; in Greece, the Centaur. Paglia hypothesizes that cats were “too feminine for the male loving Greeks” who preferred to depict the more muscular horse in art 2.  Paglia’s theory appears to be realized on an Archaic helmet from the late 7th century B.C.E. where a horse and two lions (one on each cheek piece) are portrayed in repoussé; the horse is about three times larger than the lions.  Conversely, Egyptian depictions of horses appear to be more feminine than Greek muscular / masculine forms (figure III).

One of Two bronze helmets, late 7th century B.C.E.

One of Two bronze helmets, late 7th century B.C.E.

Egyptian Horse, 1391–1353 B.C.E.

Egyptian Horse, 1391–1353 B.C.E.

The ancient Greeks rarely depicted contemporary or historical events in art.  However, horses were consistently present in mythical and historical depictions alike.  This blog entry will examine the presence of the horse in narratives depicted on various Greek works.

Death and War

Ancient Egyptians venerated cats and mummified them. The practice of interring horses was not uncommon in Greece 3 (a pair of horses were discovered buried at the outer end of a Stholos tomb at Marathon (The Mycenaean tholos tomb consists of a circular, subterranean burial chamber, sometimes referred to as the thalamos, roofed by a corbelled vault and approached by an entrance passage that narrows abruptly at the doorway actually opening into the tomb chamber. The chamber or thalamos is built of stone.  Tholoi of this kind are usually set into slopes or hillsides. Burials were either laid out on the floor of the tomb chamber or were placed in pits, cists, or shafts cut into this floor.); a human skeleton was discovered with a horse skeleton in a grave near Nauplia). Like the cat in Egypt, Horses were also featured prominently in works connected to funerary traditions. A Geometric krater, (740 B.C.E.) from the Dipylon Cemetery,

Terracotta krater, 750–735 B.C.E.

Terracotta krater, 750–735 B.C.E.

that functioned as a grave marker, depicts scenes of mourning for a man; the horses are pulling a chariot in his honor 4.  One theory suggests that the horse with chariot was a transporter to the afterlife 5.  The practice of depicting horses on grave markers continued to be common into the late classical period.  Several loutrophoros vessels, which were used as grave markers for soldiers, depict young men on horseback 6.  Ancient Greek citizens were required to perform a number of duties to help serve their community in the best way possible; soldiers saw the act of war as an act of patriotism.  The depictions may be viewed as a commemoration of the solider and horse.  The horse is as proud as a soldier, but unlike donkeys, cows, or bulls, is decidedly trainable and will, with no hesitation, ride into battle.  Horses are in line with the concept of unselfish Greek citizenship (unlike cats, which are self-serving animals).

Depictions of horses were not solely limited to krater or loutrophoro vessels.  A black figure terracotta amphora (Figure V) depicts a departing warrior on a four-horse chariot bidding his parents farewell.  Interestingly, one of the four horses are not depicted in black figure, actually matching the color of the charioteer, also not in black figure.  It is also curious that the charioteer was in the foreground while the solider and his family was in the background and behind the chariot.  Could this have also been a commemoration of charioteer and horse for their contributions to the cause?

Terracotta neck-amphora, 540 B.C.E

Terracotta neck-amphora, 540 B.C.E


Mythology and Reality

Rhyton in form of mounted Amazon, 5th century B.C.E

Rhyton in form of mounted Amazon, 5th century B.C.E

The horse, featured prominently in pottery narratives depicting combat and death, is also a fixture in mythology. One of the most remarkable works of a mythological subject prominently featuring a horse may be found at the Boston Museum of Fine Arts, which I had the opportunity to visit earlier this year.  The museum identifies the work as a  rhyton in the form of a mounted Amazon.  Another source identifies this same work as a  plastic vase 7.  The mounted figure wears a crested plume helmet with large appendages on the sides. The red figure vessel behind the Amazonian warrior depicts four figures, Persians and Greek, in combat.  A Persian figure is mounted on a horse and appears to be overtaking a Greek warrior with a spear.  Conveniently, the Amazon’s plume is bellowing on to the scene.  However, it is interesting to note the striking difference between the Persian and Greek horses; the Greek horse that the Amazon is riding is muscular, while the Persian horse appears to be almost Rubenesque and not proportionate.  The Greek horse also has a gait / gallop similar to the horses depicted on the Parthenon frieze, which is a somewhat curious because the Amazonian rhyton was found in Egypt.

Details of the Panathenaic Festival procession frieze

Details of the Panathenaic Festival procession frieze, 447-438 B.C.E.


 540–530 B.C.E.

 540–530 B.C.E.

The frieze on the Parthenon is thought to represent the Panathenaic procession, a religious festival held on 28 Hekatombaion, the first month of the Athenian calendar 8 .  The presence of the horse on the frieze of the Parthenon clearly demonstrates their importance in Greek society, real and mythological.  According to mythology, Poseidon desired Demeter and to put him off, Demeter asked Poseidon to make the most beautiful animal the world had ever seen.  Poseidon created the horse.  The horses represented on the frieze are based on the Greek ideal perfect proportions.  Beauty and proportion are bedfellows in ancient Greece.

North frieze, 447-438 B. C. E.

North frieze, 447-438 B. C. E.

One part of west frieze of the Parthenon depicts horsemen preparing their horses.  The care that the horsemen appear to be giving their horses recalls one of the first manuals on riding the horse titled The Art of Horsemanship written by a Greek named Xenophon.  Xenophon, who was a pupil of Socrates, was an equestrian for his entire life, first as a cavalryman and then as a country gentleman on an estate given to him by the King of Sparta 9.  Xenophon, in the same manual, encourages a mutual respect between man and horse: “There are, indeed, other methods of teaching these arts.  Some do so by touching the horse with a switch under the gaskins.  For ourselves, however, far the best method of instruction, as we keep repeating, is to let the horse feel that whatever he does in obedience to the rider’s wishes will be followed by some rest and relaxation.”

Xenophon’s approach to horse care and training appears to be realized on a kylix in the Met attributed to Amasis painter.  The reverse depicts an atmosphere of excitement in Poseidon’s stables, while four grooms attempt to soothe four high-strung horses.  The obverse depicts Poseidon among Greek warriors.  The subjects are drawn from book 13 of Homer’s Iliad: Poseidon, seeing the Greek soldiers hard pressed, decides to renew their spirit.  Prior to viewing this work, I happened to view a Terracotta pykster (figure IX) that depicted soldiers mounted on dolphins.  I found it curious that the scene on the pykster depicting the dolphins was not a work connected to the god of the sea, Poseidon.  Instead, the pyskster chose to depict Poseidon’s most beautiful creature, the horse.


Horses were an integral part of ancient Greek culture. Horses resemble the Greek ideal human form in terms of proportion and musculature.  “Coming to the thighs below the shoulder blades, or arms, these if thick and muscular present a stronger and handsomer appearance, just as in the case of the human being” 10.

Horses are also in line with Greek concepts of citizenship.  “Such an animal, we venture to predict, will give the greatest security to his rider in the circumstances of war.”10


 “The majesty of men themselves is best discovered in the graceful handling of such animals.  The man who knows how to manage such a creature gracefully himself at once appears magnificent.  A horse so prancing is indeed a thing of beauty, a wonder and a marvel; riveting the gaze of all who see him, young alike and graybeards.  They will never turn their back, I venture to predict, or weary of their gazing so long as he continues to display his splendid action.  Such are the horses on which gods and heroes ride, as represented by the artist.”

– Xenophon, The Art of Horsemanship


1 Camille Paglia, Sexual Personae (New York: Vintage Books, 1990), Page 64

2 Paglia, Page 65

3 Jack Leonard Benson, Horse, Bird & Man; The Origins of Greek Paintings (Amherst, University of Massachusetts Press, 1970), Page 20

4 Fred S. Kleiner and Christin J. Mamiya, Gardner’s Art through the Ages, The Western Perspective (Belmont, CA: Thomson Learning, 2005), Page 94

5 Benson, Page 24

6 Andrew Clark, Understanding Greek vases: a guide to terms, styles, and techniques (Los Angeles: J. Paul Getty Museum, 2002), Page 115

7 Clark, Page 129

Columbia University Department of Art History and Archeology Visual Media: Center

9  Xenophon, with notes, by Morris H. Morgan, The Art of Horsemanship (Imprint Boston, Little, Brown, and company, 1893), Page 70

10 Xenophon, Page 5

11 Xenophon, Page 5


Scenes from The Jazz Age Lawn Party

Two weeks ago, I hit the streets of New York City looking to foster some inspiration. With my camera, I traveled to Governors Island, thinking I was going to get some interesting landscape shots. Instead, I stumbled upon a most festive event: The Jazz Age Lawn Party! And it was exactly that— a gathering of many people celebrating the 1920s! What fun! It was almost as much fun as Comic Con. Here are some of the pictures I took. I did my best to not include any pictures with 21st century details taken with a 21st century camera. Enjoy!

Speakeasy Sal

Speakeasy Sal

The Orange Parasol

The Orange Parasol



Millinery Product

Millinery Product



21st Century Photographer, 20th Century Camera

21st Century Photographer, 20th Century Camera

Camera Ready

Camera Ready



Dancing Smiles

Dancing Smiles

American Made

American Made

A Toast

A Toast


The Perfect Playlist: E’s Spanish Jazz 3

Not too long ago my best friend from college sent me a picture of a mix tape that I made for her in 1988 which she remarkably still has. I titled it “Past Tense” after a poem I had written back then. I lost the notebook where I had written that poem, but remembered some of the lines. I also remembered some of the songs on that tape, most notably on all of side a.

vader tape

Social media humor.

The playlist is the descendant of the mix tape. And like my mix tapes, I make a significant effort to make sure they are right. What I mean by right is that there is a certain cohesion and shared texture; it takes me on a journey and inspires. What I love about digital versus tape is flexibility for experimentation. Though, sometimes I do miss walking around Manhattan with my old yellow cassette Sports Walkman.

Interestingly, I made some mix tapes that I thought were so good, that I remembered them and they now exist as playlists on my iPhone / iPod. I thought I would share some of my favorite playlists on my blog. Here is my first one called “E’s Spanish Jazz 3.” It mixes several Spanish language genres. It is also the third and my favorite version of the “Spanish Jazz” playlists. I have included links to YouTube so you can hear the songs for yourself and maybe add it to your own device.

  1. La Pluma by Bloque
  2. La nave del olvido by Buika
  3. Remedios by Gertrudis
  4. Sultanas de Merkaillo by Ojos de Brjuo
  5. Sabor a Mi by Bebo Valdes
  6. Lo Siento Mi Amor by Rocio Jurado
  7. Un Mundo Raro by Lila Downs and Diego El Cigala
  8. Awakeing by The Souljazz Orchestra
  9. Che Che Cole by Antibalas
  10. La Media Vuelta by Falete
  11. Romance de la Luna Tucumana by Diego El Cigala
  12. Tangos De Pepico by Estrella Moraente
  13. Sabor a Mi by El Chicano
  14. Quiereme Mucho by Linda Ronstadt
  15. Querido Emigrante by Milly Quezada
  16. Idiilio by Willie Colon
  17. Bajo La Tormenta by Sergio George’s Salsa Giants
  18. Perfume de Gardenias by Miguel Zenon

P.S. I have about ten versions of “Sabor a Mi”—it is amazing song that many recording artists have covered and I have yet to hear one I have not liked!

P.S. II La nave del olvido by Buika is in my top ten all-time favorite songs!

Book Review: I Hope You Fall In Love

The well-known quote of not judging a book by its cover unequivocally applies to I Hope You Fall in Love. A collection of poetry and prose written by R YS Pérez, this book is not the lovey-dovey schmaltz that the cover would initially lead you to believe.

Pérez dedicates the book to “those who love hard and those who are afraid to.” In her introduction, she notes that she has a problem when it comes to writing: “I only seem to write when I am falling in love or falling apart.” She then brilliantly notes that, “…writing is all about divergent thinking colliding with a hurricane of emotions.” She makes another analogy to love as weather when she writes, “Love no longer becomes a feeling – it becomes a storm.” Love is as unpredictable and powerful as the weather. We try to make sense of the weather, why not try to make sense of love— and that is what Pérez is doing in I Hope You Fall in Love.

Throughout the book there are brief, but notable, one paragraph diary entries. The most outstanding was dated 6 October 2016 (Pérez writes the date as it would appear in Spanish, where the day is written first and not the month as in American English):

“My sister asked me “Do you love someone all the time?”’ And it was one of those moments when I realized I could say something profound. So, I took a deep breath, thought about it. No, I said, sometimes you’ll want to strangle them more than you love them. But then it passes, and you’ll love them even more.”

Absolute truth! When you truly love someone, they can drive you mad. As Olympia Dukakis’ Rose said to Cher’s Loretta in the classic film, Moonstruck, “When you love ’em, they drive you crazy. ‘Cause they know they can.”

Pérez’s exploration of love is not just limited to romantic love. She explores the love of family (even writing to an unborn, future daughter), connecting with your roots as well as love of country.

“My family is like America; we are blend of melanin and uncertain borders.”

“My family is like America; a country of tolerance, and so many other things all at once. A beautiful mess of so many complexities. My family is like America; or at least the America I would like to be in.”

Pérez also bravely bears out her insecurities in the section of prose titled “The Color Brown.”

“I wanted to embody what I loved about my favorite colors, to be bright and lovely.”

Later in the poem titled, “My Skin: Take Pride in It”, Pérez takes on whitewashing via self-exploration:

“The color of the surface of my skin

tinted like windows,

mocking the sun,

creating artificial nightfall creeping across

my skin.”

“You dread because you want to rid yourself of the ancestral bond…”

Ultimately, in spite of what she detailed in “The Color Brown”, Pérez accepts who she is in “My Skin: Take Pride in It”,

“But I could never find myself

to be ashamed

of my beautiful cinnamon brown


I Hope You Fall in Love is Pérez’s first book (she is one to watch). At times, it feels a bit all of the place while concurrently feeling cohesive—and that is its genius! It brilliantly captures the wide-ranging feelings love can provoke in a very personal, but relatable way. I Hope You Fall in Love really stayed with me in that it got me to thinking about past romantic relationships, my relationships with friends, family and deceased loved ones for several days after I completed it.

Going back to my initial feelings on the cover, I was absolutely wrong about its simplicity. Like the book, there is a great deal of complexity in the cover. Love, like the web-like suspension cables of the Brooklyn Bridge, can be confusing, but when properly anchored, can hold you up.


Ms. Pérez’s web site is .

Ms. Pérez can also be found on Good Reads at


I hope you fall in love cover e

Posing with my copy.



Coney Island Winter: A Photo Essay

Earlier this month, I made a long-overdue pilgrimage back to Coney Island. It was the first time I had visited during the off-season in about twenty years. It was also my first time ever visiting during the off-season with my camera. The ambiance during the off season is, of course, quite different. The amusement parks are empty and there not many people around. My eye was drawn to the beach and the ocean—I forgot how much I love that crisp, winter sea air! I hope this collection of photographs conveys that wonderfully peaceful feeling.

Brooklyn Eiffel Tower

Brooklyn Eiffel Tower

Underneath with the Tides

Underneath with the Tides

Pier Noir

Pier Noir



Tidal Walk

A Tidal Walk

Seashell by the Brooklyn Shore

Brooklyn Seashell

Wavy Wood

Wavy Wood

Friend of the Gulls

Friend of the Gulls

Winter Pier

Winter Pier


One of the great things about living in New York City is that you get to meet people from all of the world—even on a cold, crisp day in Coney Island. I met Juan, who was a visitor from Argentina who agreed to pose for me.


Juan’s Scarf

Juan black and white 2

Juan views the Atlantic

Juan black and white front

One Last Picture

Deconstructing a Conservative Troll

Growing up, I thought that trolls were repugnant fabled creatures that lived under old stone bridges and came out at night to scare children. As an adult, I am surprised to find that variations of the troll actually exist in daily life! You have probably had dealings with them too. Examples include:

  • that annoying colleague who copies everyone in an e-mail in a half-baked attempt to make you look bad;
  • that angry motorist who flashes their bright lights in an effort to get you to move faster when you are already driving at the speed limit;
  • the individual who cannot stay off their phone in a movie theater or at a concert;
  • the man who endlessly harasses the woman after she clearly has shown she has no interest in his overtures; or
  • the Westboro Baptist “church.”

And then there is that troll who unfortunately has an outsized presence in the modern world: The internet troll. You know who they are, that sub-human who uses cyberspace, often anonymously, to aggravate and defame others. Social media has been a boon to this obnoxious individual, most notably for those who support conservative viewpoints. I avoid contact with these creatures of vitriol who sustain an intra-cerebral mythos of greatness and domination. I recently fell into a trap with one and wanted share my experience and suggestions for dealing with these little punks.

It started back in December 2017 when he replied to a retweet I posted from Senator Dianne Feinstein.

troll one

Shortly after he started following me. When I noticed it in my notifications, I remembered thinking, “Okay, I am being followed by a long-dead silent film actor.” His profile picture and name is that of actor John Gilbert, who died in 1936. This is a red flag that you are likely dealing with a troll: they don’t use their own pictures and/or their own names. Now John Gilbert could be his name, but that is definitely not his picture. You have to wonder what and why is he hiding? All of my social media accounts use my name and picture and are connected to my website.

After following me, La Gilbert would swoop in on to my Twitter feed and comment and every now and then. And I always ignored it—which is exactly what you should do with trolls: don’t respond!

troll two

Then one day I retweeted something from Black Lives Matter and he replied with an utter lie. I replied with this simple statement:

troll three

No response. Instead, he oddly chose to retweet a retweet of mine from Neil deGrasse Tyson. Classic deflection—very tRump-esque!

troll five

Then the Stoneman Douglas High School massacre happened and I became very engaged in social media conversations on it. Then La Gilbert replied to this retweet:


I responded by providing several viable sources. He then replied with the following and you can see my reply, which was a mistake. I did exactly what he had been waiting for months for me to do.

troll seven

He then replied with this.

troll 8

How did he even know I have cats, unless he was indeed following me? Or even more creepy, has he stalked me beyond Twitter? And what is with that Metrosexual dig? Interestingly, a friend was following the discussion and hilariously noted, “Wow, he really has a hard-on for you!” I replied with:

troll 9

He then must have had a mental nuclear meltdown, because the first thing he did was un-follow me and reply with the following:

troll 11

Anyway, he would to on the post on his wall how he took me down. Chest thumbing at its worst. He then oddly pinned his own response to his remark on that earlier retweet I posted from Black Lives Matter.

troll thirteen

On to the postmortem denouement.

In order to attack others, trolls need one or more victims and a public forum because they need an audience. While you can’t control whether you will become a troll’s target, you can decide if you will make yourself a troll’s victim. Knowing that the troll’s goal is to demean, you have a choice regarding how you are going to react. Understand that where there’s one troll, there may be many more waiting to follow up on what the first troll started.  This just means there may be more than one troll that needs ignoring. And ultimately, that is my recommendation: ignore them. Don’t feed the troll. Don’t try to be clever, just ignore them. They can not be reasoned with—especially if they support conservative viewpoints.

A fair question regarding this blog entry would be if I am indeed feeding the troll. Not exactly. First and foremost, this is on my blog and I am not responding directly to anything he posted. Second, I am not going to let La Gilbert know that I have written it. I also did not hyperlink his account to this entry. If he stumbles on to it, it is because he is indeed following me. If he retweets it, then this publicly debunks his own assertions that he was not following me. This blog entry presents quite the conundrum for the attention hungry La Gilbert.  He probably will be unable to stay silent. We will see.

I don’t know about you but I have had more than my fill of trolling liars.



Edwin Roman: The Year In Pictures 2017

The featured image of this blog entry was taken on the eve of Trump’s inauguration during the New York City protest around Columbus Circle. I had gone there to participate and document. I didn’t stay as long as I had intended because in the midst of it, I got a call from my sister telling me that my uncle had passed away. Until I started working on this entry, I had never looked at the photographs from that day.

The individual in the featured photograph had the absolute gall to show up wearing a (made in China) maga hat (someone had asked him to remove it so they could inspect the label). I can’t begin to convey the vitriol he encountered, which was absolutely deserved. I watched him for a while and my favorite exchange was with a woman who conveyed that based solely on his appearance, he would be thrown over Trump’s border wall. She noted that most of his supporters would only ever see him as a terrorist or criminal. She completely shut him down and I managed to capture that moment. Ultimately, I thought he did this as a stunt; a way to garner attention and trend online to get his fifteen minutes. He was recording all of this exchanges on his phone.

It has been a long year and I have done my best to do things that counter the limited mindset of Trump and his supporters. I continue to volunteer, engage in activism and create art. With regards to photography, I largely engage in it during the warm months. I consider myself to be a street photographer and hate working with my camera while wearing gloves. This year, I found myself inspired to try and capture the beautiful diversity of New York City.

It is with great pride that I present to you my favorite pictures of 2017.

A Human Right
A Human Right. Edwin Roman 2017. As seen at Bronx Community College during the 60th anniversary celebration.
Devious Smiles
Devious Smiles. Edwin Roman, 2017. People watching at the Coney Island Art Walls.
Wepa! Edwin Roman, 2017. As seen at the “Salsa Under The Sun” concert.
Fuga Aqua
Fuga Aqua. Edwin Roman, 2017. As seen at the Bethesda Fountain in Central Park.
Dreaming in Red.
Dreaming in Red. Edwin Roman 2017. Actors from the off-Broadway, cabaret show, I Dream of Jackie, featuring the wonderful Jackie Cox. As seen at Flame Con 2017.
Rockland Cliff
Rockland Cliff. Edwin Roman, 2017. This was my first ever visit to Rockland Lake State Park during the fall or any time other than summer.
Sharing a Laugh.
Sharing a Laugh. Edwin Roman, 2017. This was the first time I was ever hired to photograph a wedding. This couple was just great and so laid back; they were in sync with my style of photography.
Boarding Squared
Boarding Squared. Edwin Roman, 2017. As seen on the Coney Island Boardwalk.
Brooklyn, The Statue
Brooklyn, The Statue. Edwin Roman, 2017. As seen outside of the Brooklyn Museum.
Goose Goose
Goose Goose. Edwin Roman, 2017. A rare winter picture in Flushing Meadow Park.
Kente Color Splash
Kente Color Splash. Edwin Roman, 2017. As seen in The Bronx.
Two Cameras
Two Cameras. Edwin Roman, 2017. A fellow photographer at work in Central Park.
Sépia Fille
Sépia Fille. Edwin Roman, 2017. This lovely young woman posed for me at Coney Island Beach.
The View Finder
The View Finder. Edwin Roman, 2017. The George Washington Bridge as seen from Fort Lee Historic Park.
Picturing Robin Lord Taylor
Picturing Robin Lord Taylor. Edwin Roman, 2017. This was during the actor’s panel at Flame Con. I actually got to ask the first question, which was: “If Gotham City were a real place would you want to live there?”
Boardwalk Fútbol.
Boardwalk Fútbol. Edwin Roman, 2017. As seen on the Coney Island Boardwalk.
Sara the Turtle
Sara the Turtle. Edwin Roman, 2017. One summer weekday at Rockland Lake State Park I actually witnessed this beautiful little turtle burying her eggs.
Touring The Hall of Fame
Touring The Hall of Fame. Edwin Roman, 2017. As seen at Bronx Community College.
Speed Walking The Boardwalk
Speed Walking The Boardwalk. Edwin Roman, 2017. As seen on the Coney Island Boardwalk.
Sinewy Skirt and Sloppy Star
Sinewy Skirt and Sloppy Star. Edwin Roman, 2017. Whenever I am in a tediously long workplace meeting, I will go into survival mode and let my imagination take over. I often create made up superheroes and villains. This duo is a pair of superheroes.
Exuberance. Edwin Roman, 2017. As seen at “Salsa Under the Sun.”
As seen from the Wonder Wheel.
As seen from the Wonder Wheel. Edwin Roman, 2017. Picturing the world famous Cyclone from the equally famous Wonder Wheel.
The Batwoman on my Shelf.
The Batwoman on my Shelf. Edwin Roman, 2017. An action figure of one of my favorite comic book characters, Batwoman.
Classic Rose.
Classic Rose. Edwin Roman, 2017.